Error processing SSI file
|
| |
|
| |
|
|
| |
|
|
| |
 |
enter your zip code
|
|
| |
|
| |
|
|
|
 |
| by Tara Wood |
| |
When you tune in to the Jerry Lewis MDA Telethon on Sept. 4-5, you’ll join nearly 50 million viewers nationwide.
While that number is impressive, there’s another figure that’s also remarkable and just as vital to the success of the Telethon: 189.
That’s the number of television stations that make up MDA’s one-of-a-kind “Love Network” — stations across the country that will broadcast the Telethon.
Thanks in great part to the “Love Network,” the Telethon has become the keystone of MDA’s fund-raising efforts. The show also is the best-known and most successful fund-raising telecast of its kind. 
In addition, it’s generated unmatched public awareness of neuromuscular diseases and MDA’s mission to defeat them.
What follows is a look at how this network came together and remains strong today. Lights, Camera, Action
In 1966, the first-ever Jerry Lewis Labor Day Telethon for MDA
was broadcast from a single station, WNEW-TV in New York City.
This broadcast, shown only in the New York area, was the revival
of similar, locally broadcast MDA Telethons that had taken place
in the late 1950s — for example, the 1957 Jerry Lewis Thanksgiving
Party that raised $700,000 for MDA in New York.
In the mid-1960s, Robert Ross, MDA’s longtime President
& CEO (then its Executive Director), convinced then-MDA President
Paul Cohen that a Telethon was needed to increase MDA’s
visibility in the New York area.
Ross also had to get Jerry Lewis to agree to be at the helm.
Lewis’ popularity was skyrocketing at the time, and he’d
already become well entrenched in the fight against neuromuscular
diseases for more than 15 years. Once Lewis signed on, a bevy
of top stars followed to be part of the unique, 19-hour fund-raising
show.
However, only Labor Day weekend was available for the broadcast.
At first, New York City officials balked at issuing the fund-raising
permit, thinking it would be disastrous for MDA because most folks
would be away for the holiday weekend.
But with Ross’ urging, the permit was granted, and the
1966 show did go on. Ultimately it did what was until then unimaginable:
It raised $1 million.
The 1967 show was another winner, bringing in $1.4 million. Emboldened
by that success, Ross decided to leap another never-before-surmounted
hurdle, and take the Telethon to a bigger audience by networking
the show to multiple stations.
First, however, Ross had to get permission from the Theater Authority
— the organization that represents talent unions whose approval
is required before members can contribute their services for free.
Eventually, Ross got the Theater Authority’s approval,
and the 1968 show was broadcast from WNEW-TV over a mini-network
that included WHEC-TV in Rochester, N.Y., WGR-TV in Buffalo, N.Y.,
WTEV-TV in Providence, R.I., and WKGB-TV in Boston.
Not only did that Telethon broadcast raise another record of
$2 million for MDA, but the networked format made plenty of sense
in terms of expense.
"If we could have one Telethon playing on the same days
in all these markets, we don’t have to serve them separately,
which costs money," said MDA Senior Vice President Jerry
Weinberg, then and now the Association’s director of field
organization. |
Local Message
Another milestone for the Telethon and the "Love Network"
occurred when Ross noticed that WHEC-TV in Rochester had substantially
higher proceeds than the other stations. He looked into what happened.
"Well," Station Manager Glover Delaney said, "we
cut away from the national broadcast for a few minutes and showed
people here volunteering, taking calls…"
Just like that, the local cutaway was born.
The cutaways to local Telethon pledge centers or special events
proved to be a crucial ingredient in the "Love Network"
recipe.
Along with a talent-packed live show, the cutaways enabled stations
to interview local MDA clients about the help they receive from
MDA, and to highlight local celebrities, volunteers and sponsors.
Showing how MDA works in the community really made the phones
ring and pledges pour in.
"I think the marriage of a national show with a local community
is very important," said Olin Morris, a member of MDA’s
Board of Directors, who broadcast the Telethon on WREG-TV in Memphis,
Tenn., for 25 years.
Morris, who also worked at a "Love Network" station
in Fort Smith, Ark., is now retired from his role as vice president
of the New York Times Broadcasting Group, which has owned several
"Love Network" stations.
"It makes the whole country feel close together, and I think
that is highly important," Morris said.
Weinberg recalled a fitting comment made by the late Jack Harris,
former MDA Board member and general manager/president of KPRC-TV
in Houston.
Harris told him, "On Labor Day a miracle happened. The whole
city was unified, working together for MDA.… It’s
great for the community, it’s great for the station and
it’s great for MDA."
Stations Climb Aboard
It wasn’t long before the combination of great ratings and
the public service aspect of the Telethon began to attract more
interest from viewers and the television industry alike.
"The public liked it, because there was nothing on TV like
it," Ross said.
TV station managers also liked the opportunity to showcase their
anchors and news staff in a different light, and to elicit immeasurable
goodwill from their communities. The live format of the show was
also an exciting and fun opportunity.
The "Love Network" grew rapidly. Many stations were
attracted by the benefits that hosting a localized network Telethon
could bring.
In 1969, the network stretched farther in all directions from
the Big Apple with the addition of cities like Manchester, N.H.,
Norfolk, Va., and Detroit.
A year later, the network looked to add the Los Angeles market
to its 64-station list. But in order for this to happen, Ross
again had to appeal to the Theater Authority. This time, he had
to convince the organization to end its long-standing ban on nationwide
telethons.
He succeeded, and the MDA Telethon went coast-to-coast in 1970.
By 1972, the network had 140 stations, and added 10 more the
next year. An amazing 175 stations joined forces for the 1974
show, and one year later, the total was pushing 200.
Eventually, the "Love Network" had a station in every
television market.
The same holds true today, although Telethon stations occasionally
change within a market because of new ownership or other considerations,
Weinberg said.
Ironically, the traditionally "slow" Labor Day weekend
turned out to be an incentive for stations to devote up to 21½
hours to the Telethon.
"It was a good time of year to do that sort of thing from
a programming viewpoint," James F. Major, former manager
of stations in Milwaukee, Detroit and Tampa, Fla., said. "It
was the beginning of the fall season so we got a chance to promote
our new programs during the Telethon."
It wasn’t until 1975 that the regular use of the "Love
Network" name began in MDA news articles and materials.
Ross recalls that the label was invented for a thank-you ad the
Association placed in Daily Variety. Although it was meant for
one-time use, the name stuck, the same way the now-famous "Jerry’s
kids" slogan did.
The name is ideal, since love is at the heart of the Telethon
effort, Morris said.
"It truly is a labor of love," he said. "It is
really the bringing together of people of like minds that want
to make a difference." |
The Right People in the Right Places
The involvement of key people in the television industry was another
vital ingredient in the growth of the "Love Network."
Some were executives who decided to try something new by adding
the Telethon; elsewhere, industry leaders used their connections
to convince other station managers to get involved.
"Just calling friends and telling them about the benefits
of doing the show helped bring in many stations to the network,"
said MDA Board member Harold Crump. Crump is vice president for
corporate affairs of Hubbard Broadcasting, which owns several
"Love Network" stations.
A brief rundown of key players in "Love Network" growth
looks like a who’s who in television history list:
Robert M. Bennett, current chairman of MDA, was crucial in bringing
the Telethon on air in many key markets. He headed WNEW-TV in
New York from 1969 to 1971. Bennett is also the former president
of Metromedia Broadcasting, a company that owned stations in major
cities like Chicago and Los Angeles, and he ultimately brought
them into the "Love Network."
The late Sylvester "Pat" Weaver, former president and
chairman of NBC, was a pioneer in the medium, and used his influence
to bring many NBC affiliate stations on board. Weaver was an MDA
Board member for more than 20 years, and MDA established a broadcast
journalism awards program in his honor.
Larry Fraiberg, sometimes called the "father of the Telethon"
according to Weinberg, was a programming ace in New York who was
key in getting the first Labor Day show on the air in 1966.
Ross also cited some prominent women in the entertainment world
who helped lay the groundwork and build enthusiasm for the Telethon
during the "Love Network"’s formative years: opera
diva Maria Callas, Dorothy Collins of TV’s "Your Hit
Parade" and "Candid Camera," and actresses Angela
Lansbury and Joan Crawford. Collins and Crawford each served on
MDA’s Board.
The interlacing of MDA with the television industry is evident
today in the makeup of MDA’s Board of Directors (see "TV
Leaders"). The Board also has strong representation from
celebrities, VIPs from the Wall Street/financial world, leading
physicians and longtime MDA volunteer leaders.
For example, each station that Jim Major managed during his 30-year
career in television carried the MDA Telethon.
"I felt that in every place we carried it — Milwaukee,
Detroit and Tampa — it was a big thing for the station,"
said Major, who has retired from his post as general manager of
WFTS-TV in Tampa. "The station personnel felt very good about
doing it, and felt good about themselves, and it was just a very
positive thing."
Ross said that eventually, Storer Communications adopted the
Telethon for all stations it owned. In fact, Storer’s president,
the late Terry Lee, also became a longtime MDA Board member.
Organization
With the stations, volunteers, superstars and enthusiasm comprised
by the "Love Network," it would all be for naught if
not for one other factor: organization.
Organization is part of what sets the MDA Telethon apart from
other charitable shows, most of which have come and gone, Weinberg
said.
"We’re so organized for it. Everything is spelled
out," Weinberg said, citing the hefty Telethon manual prepared
for MDA staff nationwide. "Each person only has one job.
If you have two, then you’re going to forget one."
Frequent communication with station managers and pre-Telethon
briefings for local emcees are other aspects of MDA’s careful
planning.
Running through the organization is also a thick thread of loyalty.
The "Love Network" includes dozens of stations that
have carried the broadcast for 20 years or more. In fact, many
stations choose to air the Telethon despite a multitude of programming
pressures and competition that stations now face.
Jerry
But if the Telethon’s "Love Network" were a wheel,
and the people who helped build it were the spokes, it would all
be connected at a center hub that’s one person: Jerry Lewis.
"I don’t think we could have done it without Jerry
Lewis," Ross said, calling MDA’s National Chairman
and Telethon star the glue that holds the whole Telethon together.
Lewis’ prestige always has attracted other top entertainers
to appear on the show. That made for big audiences, loyal fans
and great ratings, which in turn generated more and more money
each year for MDA services and research.
Lewis wrote in his biography Jerry Lewis: In Person that at one time he was reluctant to return to the live television
format that was loved by audiences but an easy target for critics.
But since the first Labor Day broadcast, he’s kept his
focus on the ultimate goal of fulfilling MDA’s mission.
This year, he’ll star in his 40th consecutive Telethon,
and he’s revved up and ready to hit the stage.
"It’s a thrill to look back at the many incredible
people who built the ‘Love Network,’ and have done
so much for ‘my kids,’" Lewis said. "Although
I’m very proud of what we’ve accomplished, our work
still isn’t done." |
| |
TV Leaders, Now
MDA Board Members, Helped Build ‘Love Network’
MDA’s Board of Directors has historically
been made up of experts in fields of importance to the Association:
doctors, scientists, finance wizards, celebrities and community
leaders.
The television industry also has been heavily
represented by experts who’ve supported the Jerry
Lewis Labor Day Telethon for MDA in many ways.
Along with Board Chairman Robert M. Bennett,
a pioneer in the broadcasting world, three other current
Board members have deep roots in the television industry:
Harold Crump, James Major and Olin Morris. Together they’ve
helped build a solid foundation for MDA’s "Love
Network." And each finds his own way to give generously
of himself to MDA’s mission.
HAROLD CRUMP,
St. Paul, Minn.
Vice President, Corporate Affairs
Hubbard Broadcasting
Crump’s involvement with MDA began
with the personal experience of watching a friend’s
son live with Duchenne muscular dystrophy. He’d never
heard of the disease, and assumed doctors would simply give
the young man, Chris Bonds of Brentwood, Tenn., a pill and
he’d get better.
Crump soon learned that was far from the
case, and got an up-close look at the difficulties the disease
can cause a family. He also realized that, through the MDA
Telethon, he could work for a cure for Duchenne and other
neuromuscular diseases.
His television career includes seven years
as president and general manager of KSTP-TV in St. Paul,
Minn., operating his own communications company in Houston,
and 25 years at the helm of WTVF-TV in Nashville.
Crump was also general manager of 21st Century
Productions, which produced such programs as "Candid
Camera" and "Hee Haw."
In Nashville, Crump produced a half-hour
film that chronicled Bonds’ life at home and school.
The feature inspired MDA to create its annual
Broadcast Journalism Awards, and in 1980, Crump was the
first recipient of the award named in honor of the late
NBC Chairman Pat Weaver, a former MDA president.
The film also helped encourage and open
doors to wheelchair users in mainstream schools, Crump said.
Among Crump’s other notable contributions
to MDA: arranging for Jerry Lewis to address the Tennessee
legislature, and securing country music legend Johnny Cash
to host a segment of a local Telethon broadcast, which led
to a huge spike in contributions.
And, in a way, MDA paid him back: His wife,
Leigh, was an MDA district director in Nashville when they
met. In fact, the couple was convinced by Lewis himself
to spend part of their honeymoon in Las Vegas when one of
the national MDA Telethons originated there.
Crump said he gets great satisfaction from
helping others while doing work he loves.
"It’s been a lot of fun, and
it is a really important part of my life."
JAMES MAJOR,
Tampa , Fla.
Former general manager,
WFTS-TV
Jim Major helped the "Love
Network" grow by always championing the show as his
career took him from Milwaukee to Detroit and finally to
Tampa.
He first got involved with the show in the
early 1970s. At that time his wife, Barbara, was an on-air
personality and was part of the broadcast, too.
Over the years, Major has experienced firsthand
the many benefits that broadcasting the Telethon can bring
to a station. But, he said, what really endears MDA to him
are the people: MDA’s staff, the clients and, of course,
Jerry Lewis.
Major first met Lewis at an MDA Emcees Briefing.
Major was a featured speaker at several of the annual gatherings
of Telethon emcees and producers to share tips and build
enthusiasm for the upcoming Telethon.
Major said Lewis’ sincerity helped
draw him closer to the Association, and fondly recalls how
Lewis would help the Association get sponsors in the early
days.
"In those days he’d call on companies
and go right to the CEO. It was obvious that his enthusiasm
was very real, and you couldn’t help but have a great
deal of respect for him," Major said.
Major has been involved in MDA’s volunteer
leadership since 1984, both as a corporate member and as
a national vice president. He joined the Board of Directors
in 1999.
Although he’s retired from television,
Jim Major, with his wife, Barbara, raises funds for MDA
in another way. They’ve pooled their talents, local
connections and experience to start the Hearts of Fire Gala
in Tampa.
"It’s worked out quite well,"
Major said, noting that the first gala netted $125,000 for
MDA. Last year’s gala netted $197,000 and was held
with more urgency since Hurricane Frances forced cancellation
of local Telethon broadcasts.
Looking toward the future, Major takes pride
in MDA’s progress in the fight against neuromuscular
diseases, but knows the battle isn’t over.
"There’s work to be done, and
it’s such important work," he said.
OLIN MORRIS,
Memphis, Tenn.
Former Sernior Vice President,
New York Times Broadcast Group
One could say that Olin Morris has experienced
the Telethon from every angle, including the one in front
of the camera lens: He hosted local segments at WREG-TV
in Memphis for about 25 years.
He began his career as a broadcaster in
radio and TV in 1958, but quickly moved to the administrative
side of television. Before moving to the New York Times
in 1995, he spent seven years as WREG’s president
and general manager, and also worked for a year at KFSM-TV
in Fort Smith, Ark.
He was an MDA corporate member beginning
in the early 1970s and was also a vice president. He joined
the Board in 1999.
Morris has volunteered with many organizations
and served on many boards, but said MDA is his favorite.
"MDA is my number one charity. It probably
began as wanting to give back, and the older I get, the
more I look forward to just being with my colleagues on
that board," Morris said. "They’re devoted,
they’re kind, gentle and caring. They put their money
where their mouth is."
Besides being moved by the dedication of
his "Love Network" colleagues, Morris said, MDA
clients also inspired his efforts.
He’s taken part in several pre-Telethon
Emcees Briefings along with Jim Major, and a critique of
the show afterward. That kind of planning and organization
has been essential to its success, he said.
Morris attributes the Telethon’s longevity
to MDA’s ability to stay ahead of technology, with
feats such as taking pledges by credit card and broadcasting
the show via the Internet.
He also credits the balance between the
national show and local cut-ins.
"It makes the whole country feel closer
together, and I think that’s highly important,"
Morris said.
|
|
| |
|
|