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| by Kathy Wechsler |
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Did you know that singing or playing a musical instrument
is good for your respiratory system? Don’t get me wrong: I’m
not talking about the drums, piano or guitar.
From the trumpet to your vocal cords, any instrument
that takes lung power may help you maintain or improve breathing.
If your respiratory muscles are strong enough to let
you speak, you can probably sing or play a horn, say respiratory therapists
who work with people served by MDA. Plus, it’s fun, easy, and
it beats the heck out of any other form of exercise. And you don’t
even have to be musically talented to receive respiratory benefits from
this type of exercise.
“Anything that I can do to get my patients to
take a good sustained breath is good for them,” says Jerry Reynolds,
a respiratory therapist (RT) at Ohio State University in Columbus who’s
seen people with neuromuscular diseases benefit from singing or playing
an instrument that requires lung power.
“That’s a known, proven fact,” Reynolds
says. |
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| How It Works |
In order to sing or play a wind instrument, you have
to continually take deep breaths. This expands your lungs, promoting
healthy clearance of mucus. If you’re a shallow breather, small
portions of your lung can collapse, interrupting the circulation of
mucus out of your lungs, eventually leading to respiratory infections
such as pneumonia and bronchitis.
Inflating your lungs all the way also enables your chest
wall (the muscles and other tissue surrounding the ribs) to fully
expand, giving the muscles a healthy range of motion. Elasticity (flexibility of the chest wall, which some therapists call elastance)
is important, especially if you have muscular dystrophy, so that you’re
able to take normal size breaths without overtiring your respiratory
muscles.
You don’t want your chest wall to lose its elasticity
and get stiff because your respiratory muscles (the diaphragm
and the muscles between the ribs, called the intercostals)
will have to work harder to allow you to breathe. These muscles enable
you to exhale and inhale, and weakening of them also increases the chance
of infections in the lungs or respiratory system.
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Dennis
Sieloff: The more I sing
the more I can sing. |
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“If you have a stiff chest wall and weak respiratory
muscles, those weak respiratory muscles are trying to make that stiff
chest wall move, and that’s a really bad combination,” Reynolds
says. “By doing exercise to maintain the elastance of the chest
wall, it makes it easier for those muscles to work.”
That’s why singing or playing a wind instrument
is great exercise for the chest wall. It’s not going to make your
respiratory muscles stronger, but it will make it much easier for them
to function because they won’t have to work so hard to move a
stiff chest wall.
“The more I sing, the more I can sing,”
says Dennis Sieloff of Pompano Beach, Fla., who sings every Sunday as
part of his church congregation and for fun at home alone or with his
wife, Tammy. Sieloff, 43, who walks with a cane because of myotonic
muscular dystrophy (MMD), says that singing strengthens and slows the
deterioration of his respiratory system, giving it more stamina. He’s
also noticed that bronchitis and respiratory infections are less common
now that he’s increased his singing. |
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| Talk to a Pro |
Reynolds suggests that everyone with muscular dystrophy
be checked by an RT or pulmonologist at least once a year. His suggestion
applies even if you have strong lungs and appear to be doing well; the
therapist wants to make sure there’s no decline in breathing function.
Maybe you don’t even have a lung doctor and need to ask your neurologist
for a referral.
Kyle DeVilbiss, 18, of Troy, Ohio, has Duchenne muscular
dystrophy (DMD) and has been Reynolds’ patient for five years.
Soon to be a senior at Troy High School, DeVilbiss plays the clarinet
in concert band and has been playing since fourth grade.
DeVilbiss, who uses a power chair, has never had any
respiratory problems but started seeing Reynolds every six months as
a precaution because DMD is associated with respiratory issues. He says
that playing the clarinet is a fun exercise that can keep his lungs
functioning and is probably prolonging his ability to breathe. His brothers,
Ryan, 20, and Aaron, 12, also have DMD and have benefited from playing
the clarinet.
Aside from the clarinet, DeVilbiss uses a small plastic
device called an incentive spirometer that measures lung capacity
and encourages deeper breathing. He does this twice a day. After years
of playing the clarinet, his lung capacity has increased.
If you experience respiratory problems such as shortness
of breath or frequent infections, you’ll need to see the therapist
more often or consult a doctor. If your pulmonary function declines,
the RT probably will start you on breathing exercises twice a day.
You should ask your RT or pulmonologist if singing or
playing a wind instrument would be beneficial to you. Are your lungs
in good enough shape to do it effectively? And if your therapist has
given you breathing exercises, can you substitute some of the sessions
with singing or playing?
Reynolds never substitutes breathing exercises completely
with singing or playing an instrument, but he does allow clients to
count their music practice as some of their exercise sessions.
“Say you have music lessons in school and you
do them every day at school Monday through Friday. That could replace
one of your breathing exercise sessions on those days, but you would
still need to do your two exercise sessions on the weekend,” Reynolds
says. “Now say you have singing lessons a couple times a week.
Well, the days you have singing lessons then you could use that singing
lesson as one of your exercise sessions for the day.” |
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| Should I Try It? |
The benefits you’ll receive from the deep breathing
you need in order to sing or play a wind instrument depend on the progression
of your disease, says Reynolds, who’s also assistant professor
in the OSU Department of Neurology and a regular host on MDA’s
online “Ask the Experts” chats dealing with respiratory
issues.
He most often sees people with DMD and amyotrophic lateral
sclerosis (ALS) try this type of exercise, but it can benefit most people
with neuromuscular disease as long as they have enough lung power to
perform.
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Kyle DeVilbiss:
It's a fun exercise that has probably prolonged my ability to
breathe. |
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If you’ve experienced problems such as shortness
of breath, singing or playing an instrument should increase respiratory
function. The same rule applies if you’re prone to respiratory
infections, but as always, check with the professionals before getting
started.
Ryan Roberts of Sapulpa, Okla., has DMD, uses a power
chair, and is prone to asthma and pneumonia. Ever since he began singing
in seventh grade (an activity that he could enjoy with peers), Roberts,
19, doesn’t have asthma attacks or get pneumonia anymore.
Singing with a barbershop choral group and with friends
at church has allowed him to continue being able to breathe deeply and
sustain his notes. Singing is his breathing exercise.
“My doctors and physical therapists have encouraged
me to continue singing, both as an interest and continued exercise for
my lungs and diaphragm,” says Roberts, who graduated from Sapulpa
High School in May 2004 and plans to attend Tulsa Community College
in the fall, majoring in music.
On the other hand, if you haven’t had any problems,
the hope is to keep you at that point. If a neuromuscular disease is
diagnosed after you’ve been singing or playing for some time,
you usually come to the disease with a stronger respiratory system.
Jackie Barnette of Pasadena, Md., who uses a power wheelchair
and a walker for mobility, received a diagnosis of ALS last year. She’s
had asthma most of her life but says she's had fewer and less severe
attacks partly due to medication and partly due to playing the French
horn for 32 years.
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Ryan
Roberts and his choral group.
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In December, she stopped playing because she’s
losing arm strength and doesn’t want to drop the instrument. She
still has the lung capacity to play.
A recently retired preschool teacher, Barnette, 45,
is used to singing all day. She also sings twice a week in a women’s
church group and hasn’t developed the respiratory problems associated
with ALS such as shortness of breath.
Lora Clawson, nurse practitioner and director of ALS
clinical services at the MDA/ALS Center at Johns Hopkins University
in Baltimore, says that Barnette’s breathing is at 100 percent
of capacity and attributes her healthy respiratory system to all the
horn playing she’d done over the years. Doctors have also told
Barnette that singing and playing the horn have reduced the effects
of her asthma.
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Jackie Barnette:
Playing as much as I have
has kept the lungs strong. |
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“Had I not played, I don’t think my lungs
would be as strong now,” Barnette says. “The horn is one
of the hardest instruments to play because it does require so much air
to get through all the tubing. By playing as much as I have it has kept
the lungs strong and open.”
Even though there may not be any scientific studies
proving the effects of singing or playing a wind instrument on the respiratory
system, affirmations of people with neuromuscular diseases speak for
themselves. |
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| Choosing an Instrument |
Maybe you’ve always wanted to play the trumpet.
Does the flute or clarinet excite you? Then again, you can always get
a harmonica (see “Health in the Harmonica”). Any of these
instruments can help strengthen your respiratory system because you’ll
be repeatedly taking deep breaths.
Depending on your physical strength, you might want
to steer clear of large and bulky instruments like the tuba. Besides
being difficult to carry, tubas require even more wind power to play
than the smaller instruments. If your voice is your instrument of choice,
you don’t have to worry about being able to haul it around.
Keep in mind that as your disease progresses, you may
need to switch to a smaller instrument that’s easier to play and
transport. If you lack the arm strength to hold the instrument but you
still have plenty of lung power, you can simply exercise your lungs
by blowing on the thing. (You may want to ask your housemate’s
permission first.)
“I can still pull [the French horn] out and hold
it and just blow long tones,” Barnette says. “Now that I’ve
stopped working, I plan on doing that a couple times a week.”
Since Barnette’s husband, Kim, is a musician,
there’s never a shortage of musical instruments to exercise her
lungs. Though she’s not teaching anymore, Barnette plans to go
to school once a week to sing and play with the children. She has three
children and three grandchildren. |
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| How Much Is Too Much? |
Don’t overdo it, Reynolds cautions. With most
forms of exercise, there’s a fine line between doing too little
and doing too much. With a neuromuscular disease, too much exercise
can actually weaken your muscles, but you need enough exercise to keep
them active. Singing or playing an instrument is no different.
“Overdoing it” causes your respiratory muscles
to weaken. To prevent this from happening, Reynolds suggests that you
pay attention to how much you can do before you start feeling fatigued.
When you start to tire, it’s time to stop.
There’s no one set time limit for everyone. If
you can sing or play for a half hour before your respiratory muscles
get tired, then a half hour of singing or playing each day may be just
what you need.
DeVilbiss plays the clarinet every day during the hour-long
band period at school. He gets out of breath, but he can soon catch
his breath and resume playing. The high notes require more air, which
is why he tires faster when the music has more high notes.
Also playing the keyboard in Troy High School’s
marching band, DeVilbiss hopes to keep up the clarinet as long as he’s
able. He plans to major in music education at Wright State University
in Dayton, Ohio.
Above all: Have fun! As long as you don’t push
yourself, singing or playing a wind instrument puts you on the path
to respiratory health. |
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Health in the Harmonica
— a Breath or Two Away
by James Leitsch
I’ve been playing the harmonica for 30 years.
I have spinal muscular atrophy type 2, and I received my diagnosis
when I was an infant. The harmonica has helped my respiratory
health as well as my spirit, and it can help yours too.
Blowin’ the Wind
It’s easy to play. Just follow these 10 short lessons:
1. Buy a harmonica.
The simplest type is a diatonic. Light, plastic and easy
to handle, a Special 20 diatonic manufactured by Hohner (about
$25 in a music store or online) is my suggestion.
Plastic harmonicas tend to last longer than wooden-interior
harmonicas. Buy one in the key of G, the lowest-toned harmonica,
which allows you to avoid higher-pitched, less pleasant notes.
2. Open the harmonica
box and roll up your sleeves. Anyone — anyone — can learn. No musical background is required, nor natural
talent or lengthy lessons. You just need lips, lungs and leisure.
3. Handle the harmonica
as much as possible. Carry it around with you. Treat
it like your high school class ring that you show everyone at
least twice.
Just fooling around with the harmonica will get
you used to its feel. Special 20s are very difficult to break
even when dropped.
4. Always hold the harmonica
to your mouth with the key showing face up. In our case,
the letter G should be visible on the top right-hand side. When
you’re playing upside down, the higher-pitched keys will
be on the left-hand side.
5. Practice hitting only
one note while breathing in and out. Just stay at one
place on the harmonica and play until you only sound one note.
Take the harmonica away and bring it back to your
mouth to try again. Skip a few holes to the right or left and
try again. Keep adjusting your mouth and your breath until you
can avoid a chord and make just one note audible.
6. Continue playing one
note as you change from one hole to another. “Bleeding”
is when you hear two or more notes at the same time. Notice the
position of the harmonica and the shape of your mouth that best
allow you to blow only one hole. By shaping the mouth differently
or using the tongue, many people develop techniques to prevent
them from bleeding during transition.
Sounds easy, right? It’s not. Here lie the
bones of many a would-be harmonica player. Only cross this hurdle
and your harmonica will be transformed into a great source of
entertainment. When you can play one note and transition to another
single note, you’re ready to play songs.
7. Pick up a songbook
from a music store (around $10) or get songs off the Internet.
With each hole on the harmonica numbered, you can easily follow
the songbooks. Arrows pointing up or down demonstrate whether
to breathe out or in. As long as you know the tune, you’ll
have no trouble playing it. You don’t even have to be able
to read music!
8. Build a repertoire
of songs. Because folk songs are rather simple, they
match nicely with the harmonica. “O Susanna,” “O
When the Saints,” “Rocky Top” — these
are typical songs in an intermediate book.
Songs you hear on the radio pose a much greater
challenge. They commonly include sharps and flats, which are out
of reach for most harmonicas. You’ll have to buy an expensive
chromatic harmonica, which has a button you push to play sharps
and flats, for these complicated songs. Unfortunately, playing
a chromatic requires a bit of strength as well as coordination.
9. Practice cupping your
hands around the harmonica in different ways to produce different
sounds. One strategy is to pretend you’re trapping
air in your harmonica by cupping your hands. The tighter the seal,
the greater the variation you’ll hear as you open and close
the trap.
Because quite a bit of dexterity is required to
cup the hands, you may instead hold the harmonica with one open
hand while using the other open palm to rapidly wave back and
forth behind the harmonica. Either way, you should notice the
pitch of the note change with the movement.
10. You can’t graduate
from this harmonica school without first learning to “bend”
a note. This is the note distortion most commonly associated
with the harmonica. Select one note (the easiest is hole no. 6)
and suck in hard while changing the shape of your mouth. By changing
the air flow as it passes over your tongue, you create a different
sound that makes you an official “blues brother.”
Last Notes
Here’s a bonus lesson: Talk like a harmonica
player. Don’t call it a harmonica; if you’re “cool”
it’s a “harp.” If you make up a tune, it’s
a “lick.” A repeated melody is a “riff.”
If you’re making up things and playing fast, you’re
really “wailing.”
So take my advice. Spend about $35, practice the
10 steps each day for a month, and instead of sighing, you’ll
be wailing.
Harmonica Resources
F&R Farrell & Co.
www.frfarrell.com
Harmonica Country
www.harmonicacountry.com
Harptown: The Virtual Harmonica Museum
www.bluesharp.ca/museum
Hohner Harmonicas
www.hohnerusa.com/harmonicas.htm
If you type the title of a favorite folk song
plus the word harmonica into an Internet search engine,
you’ll frequently find all the instructions you need for
playing the song, often with an audio sample in the background.
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James
Leitsch |
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